For my final piece idea, I have decided to create an installation combining both my ideas from my projection and polaroid experimentations.
This would consist of a four-way mirror box, with the polaroids hanging from the mirror frames using thread.
The images hung on the polaroids will be photographs taken from the past and will be both focussed singular images on different parts of a whole image to create one bigger picture and singular polaroid images. This will contradict the projected image which will show an image of the same photograph taken in present day.
These will show a stark difference between the past and the present, showing both the similarities and the differences between then and now.
The lighting from the projector will also light up the installation, meaning there will be no need for any additional artificial lighting.
The polaroid's will be made of tracing paper as I preferred the ghostly appearance created in my experimentation, however, I will be brightening the polaroid itself for a bigger contrast between the polaroid paper and the photograph itself as I felt the image looked rather faded and it was not noticeable as a polaroid unlike the experimentation that was backed onto paper.
The final piece will be a series of photographs which will be presented in my exhibition.
Monday, 28 April 2014
EXPERIMENTATION: Polaroids (tracing paper)
I preferred this as it meant that the images appearance would change with every change in the positioning of the viewer. The way I lit the piece up also changed what was seen, making some areas harder to make out and others clearer. I like this as again, like my first experimentation, it is hard to make out what was in the past and what is the present, blurring the boundaries between the two. For my final piece I would like to make a structure similar to this which applies this concept.
EXPERIMENTATION: Polaroids (Paper)
After studying the polaroid works of both Maurizio Gallimberti and David Hockney, I went about creating my own polaroids using my edited overlapped images onto opaque white paper. This was then backed up onto additional white paper, to create the impression of a polaroid photograph. I used a similar layout as seen in both Gallimberti and Hockney's work by focussing each polaroid on specific parts to then use them all to create a bigger picture. I think the black and white overlapped images
as one big picture creates a ghostly outline, however, I find that when thrown about and mixed around the image is more interesting as it is a literal jumble of the past and the present, making it impossible to see the two as separate.
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